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About Artist:
"Equilibrium", the first of Tuan’s sculptures to be released in limited edition through Masterpiece Publishing, Inc. of Laguna Beach, is the ideal example of Tuan’s talent for combining form with divine sensuality. His image of man and woman reflects the beauty of love and life and form in a composition that defies gravity while elevating humanity to angelic heights. The serenity and celebration reflected in his work comes in striking contradiction to Tuan’s own past. Born in Vietnam in 1963, Tuan experienced the fall of Saigon in 1975, survived a failed escape attempt from his native land in 1988, witnessed the death of his closed friend in the same escape attempt, and was then cast into a concentration camp. Almost miraculously, he escaped the camp and fled to the United States where he became captivated with sculpting. In 1995, Tuan received his fine art degree from the Art Institute of Southern California in Laguna Beach, CA. Tuan has received the Gloria Medal from the National Sculpture Society (New York), a medal designed by C. Paul Jennewein and bestowed upon a young artist in Jennewein’s memory for a meritorious body of work as determined by the luminary board of the Society. He has been exhibited throughout Southern California and has been commissioned for a number of public and private works, including a memorial bust for the Nicole Brown Simpson Charitable Foundation in 1997. == By its very nature, "sculpture" often suggests "mass"… if only in the weight of its material - be it bronze, marble or stone. To experience the bronze figurative sculpture of Vietnamese artist, Tuan, however, is to experience the defiance of the nature of bronze sculpture. Tuan glorifies the beauty of the human form with masterful precision. However, the true uniqueness of his style is not in the physical expression of human beauty, but in his ability to infuse physical "mass" with an almost divine sense of weightlessness. Tuan’s artwork radiates peacefulness and serenity through graceful lines and rhythmic compositions so that while glorifying the human body, he at the same time glorifies the human spirit, exalting the exhilarating experience of life. Tuan infuses his sculpture with a celestial beauty that carries his human forms beyond earthly existence and into the realm of the heavenly in a quiet celebration of life. Though cast in bronze, his forms appear to be magically suspended like angels on the wing. == Art is vital for me. It is almost a religion. It means to believe in people, in life, in love. It is a response to what is beautiful and ugly. As an artist I do what I do for no other purpose than to express my feelings. -- Tuan By its very nature, "sculpture" often suggests "mass"… if only in the weight of its material - be it bronze, marble or stone. To experience the bronze figurative sculpture of Vietnamese artist, Tuan, however, is to experience the defiance of the nature of bronze sculpture. Tuan glorifies the beauty of the human form with masterful precision. However, the true uniqueness of his style is not in the physical expression of human beauty, but in his ability to infuse physical "mass" with an almost divine sense of weightlessness. Tuan’s artwork radiates peacefulness and serenity through graceful lines and rhythmic compositions so that while glorifying the human body, he at the same time glorifies the human spirit, exalting the exhilarating experience of life. Tuan infuses his sculpture with a celestial beauty that carries his human forms beyond earthly existence and into the realm of the heavenly in a quiet celebration of life. Though cast in bronze, his forms appear to be magically suspended like angels on the wing. "Equilibrium", the first of Tuan’s sculptures to be released in limited edition through Masterpiece Publishing, Inc. of Laguna Beach, is the ideal example of Tuan’s talent for combining form with divine sensuality. His image of man and woman reflects the beauty of love and life and form in a composition that defies gravity while elevating humanity to angelic heights. The serenity and celebration reflected in his work comes in striking contradiction to Tuan’s own past. Born in Vietnam in 1963, Tuan experienced the fall of Saigon in 1975, survived a failed escape attempt from his native land in 1988, witnessed the death of his closed friend in the same escape attempt, and was then cast into a concentration camp. Almost miraculously, he escaped the camp and fled to the United States where he became captivated with sculpting. In 1995, Tuan received his fine art degree from the Art Institute of Southern California in Laguna Beach, CA. Tuan has received the Gloria Medal from the National Sculpture Society (New York), a medal designed by C. Paul Jennewein and bestowed upon a young artist in Jennewein’s memory for a meritorious body of work as determined by the luminary board of the Society. He has been exhibited throughout Southern California and has been commissioned for a number of public and private works, including a memorial bust for the Nicole Brown Simpson Charitable Foundation in 1997. == By its very nature, "sculpture" suggests "form". To experience the bronze figurative sculpture of Vietnamese artist, Tuan, is to experience the human form glorified in bronze with masterful precision. However, the true uniqueness of his style is not only in the expression of human beauty, but in his ability to infuse physical "form" with an almost divine sense of weightlessness. Tuan's work radiates peacefulness and serenity through graceful lines and rhythmic compositions. While glorifying the human body, he, at the same time glorifies the human spirit, exalting the exhilarating experience of life. Tuan infuses his sculpture with a celestial beauty that carries his human figures beyond earthly existence and into the realm of the heavenly in a quiet celebration of life. Modeled in clay and cast in bronze, Tuan's sculptures appear to be magically suspended like angels on the wing. The serenity and celebration reflected in his work comes in striking contradiction to Tuan's own past. Born in Vietnam in 1963 to an artistic family, Tuan began sculpting at an early age. He experienced the fall of Saigon in 1975, survived a failed escape from his native land in 1987, and eventually escaped to the United States in 1988. Tuan's grandfather, Hoang Buu, a fourth-generation descendant of King Gia Long, lived in the region when it was French Indochina. He read and spoke French, and consequently, Tuan's family was heavily influenced by European traditions. In contrast to the Vietnamese tradition of creating art for the sake of religion and the temple, repeatedly sculpting the same forms and figures, Tuan was driven to create art for his own expressive purposes. "Art is for humanity", he emphasizes, "for people, for everyone. I create universal art everyone can understand". Tuan has received the Gloria Medal from the National Sculpture Society (New York), an award bestowed upon a young artist for a "meritorious body of work". Tuan has been commissioned for a number of public and private works, including a memorial bust for the Nicole Brown Simpson Charitable Foundation in 1997 and most recently a 15-foot monument for the City of Westminster, commemorating the partnership between American and Vietnamese soldiers during the Vietnam War.
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